Posts Tagged ‘interview’

And Now an Interview with Matt Forbeck

February 26, 2012 Leave a comment

(The audio of this interview is available at the bottom of this post!)

12 for `12JR: I am talking to author and game designer Matt Forbeck. Hello, sir!

MF: How are you doing, Jim?

JR: Good, good! Good to have you on here.

MF: Thanks for having me. I appreciate it!

JR: Of your many projects that you’ve got going on, something that I find particularly interesting as a writer is this 12 for 12 project that you’ve got going. For anyone who’s not familiar, why don’t you tell us a little bit about what that is?

MF: Sure. It’s this crazy idea I had last summer. I thought, “Hey, I write pretty quickly. I bet you I could write a novel a month.” (chuckles) Which is like this insane bar bet. And you know, it may have come up at Gen Con, actually last year – the gaming convention.

JR: Oh yeah?

MF: And I looked at it and I thought, you know, I’d love to do that, actually. I think it’d be a lot of fun. I think I could certainly do it. The trouble is that I also have a lot of other gigs that I do as a freelance writer. Like I write the Magic: the Gathering comic book for IDW. And I have a few other things: computer games, toy work, a novel – Carpathia – coming out at the end of the month here from Angry Robot. So I didn’t think I could give all that up and I didn’t want to give all that up, right?

JR: Yeah.

MF: So, I thought, “Let me trim this down a little bit and instead of writing like 80,000 word novels, which is what I usually go for, I’ll try writing 50,000 word novels, which will give me a little bit more breathing room.” And I decided to launch that program back in last November as a Kickstarter and said, “Look, hey guys, I really want to do this but I need to be able to eat so I’d like to basically take preorders for these books. And we’ll do some special editions. There’ll be autographed and hard covers and soft covers and things like that for people who are interested, and you can sign up for a high pledge and get your name in the book or create a character or something like that.” And it did pretty well. It started in November and ended on December 4th and we ended up racking up something over $13,000 for the first three novels. And I’m currently – just about a week and a half ago, launched the second Kickstarter for the second trilogy of novels. And that’s already up just shy of $5000 at the moment, I believe.

JR: That is awesome. As someone who has tried NaNoWriMo and just sitting there – and I’m still at like 30,000 words from last November…

MF: (chuckles)

JR:  …when I saw this project I was like, “Is he insane?!” (chuckles)

MF: Well you know, I’m a full time writer, right? This is my day job. I look at my daily word count and I know I can do this, right? Back before I had a whole bunch of kids as a full-time freelance role-playing game designer I would write regularly 5000 words a day. Since the kids came along they cut into my writing time a little bit so I’m down to about 3000 words a day. But on good days I get to the 5-6,000 words.

JR: That is very cool, and I think anyone who’s aspiring towards being a writer full time is definitely going to try to hit that goal.

MF: Well, now if you’re getting paid by the word, generating more words helps. They all have to be quality words, mind you.

JR: (laughs) That’s true.

MF: They have to be publishable words. But being able to generate them quickly – and after you’ve been doing it for some 10-20 years you do get quite a little bit quicker at it.

Brave New WorldJR: Very cool, very cool. So the first trilogy you already mentioned is already funded.

MF: Yes.

JR: And that was for your Brave New World novels.

MF: Yes.

JR: And why don’t you tell us a little bit about those?

MF: Yeah, that’s based on a role-playing game – not the Aldous Huxley novel. The original quote for Brave New World comes from Shakespeare’s “The Tempest,” actually, where Miranda, who’s the daughter of the wizard Prospero, sees a man washed up on the shore of their private island – for the first time in her life she’s ever seen anybody but her father. And she looks up at this handsome guy who’s about to become her love interest and she says, “Oh brave new world, that has such people in it.” And I thought that was perfect for a superhero role-playing game. So, back in 1999 I came out with a superhero role-playing game called Brave New World through Pinnacle Entertainment Group and it was later published by Alderac Entertainment Group, or AEG. And it’s been basically lying fallow for the last ten years or so. We did about eight or nine different books in the line and then cut it off. But we’ve had some people over at Reactor 88 Studios working on doing an independent film based on it. And I said, “Geez, you know, we’ve got this good fan base of game players out there and we’ve got a lot of people who are interested in my writing. Let’s see what happens if we cross the streams and combine them for this first set of trilogies.” And so far it seems to be going pretty well. For me it’s a lot of fun because I get to return to this world that I spent a lot of time and effort creating a dozen years ago.

JR: Yeah.

MF: And the fans seem to really be enjoying it so far, too.

JR: Can you actually tell us anything about how the movie’s going?

MF: Yeah. It’s currently on hiatus. We got a proof of concept video made which is about five to eight minutes long – I forget. It depends on which edit you look at. And basically the first eight pages of the role playing game are a comic book, and we took those and filmed those. And then we have a screenplay that follows it off after that and tells you what’s going to happen in the world. But we filmed the proof of concept hoping to go out and find funding for the rest of the movie. The problem is that being an over-the-top, high-action role-playing game with superheroes in it, this is not a cheap movie to make, right? (chuckles)

JR: (chuckles) Yeah, I can imagine.

MF: So, you know, we went back to the – well I mean we actually are now working on a couple of different movies, one of which is InSpectres, which is based on the role-playing game by Jared Sorensen.

JR: That is such an awesome game.

MF: Yeah!

JR: I really enjoy it.

MF: Oh, we got a kick out of it. We love that stuff. I love Jared’s stuff from way back, actually. And so we have a screenplay that I and a guy named Jeff Dohm worked on that actually was shot last year and is currently in post-production, so that’ll be out some time later this year. And the idea there again is to prove to people with money that we have a team of people who can make these kind of movies and make them do well. And then hopefully use that as a means of leveraging funding out of people so we can make a bigger movie later on.

JR: Excellent. I wish you the best of luck with that because I really want to see these movies! (chuckles)

MF:  The InSpectres one is a boatload of fun and I honestly think this kind of slacker ghostbuster thing is a lot easier to shoot on a shoestring budget than you would expect.

Shotguns & SorceryJR: Let’s move on to your second trilogy, which is – as of this recording – still being funded.

MF: Yes.

JR: So the Kickstarter is still open for it. That’s the Shotguns & Sorcery novels. And why don’t you tell us a little bit about those?

MF: Yeah, people have until March 11th to get in on this Kickstarter. And just go to or go to my web site at and you can find out about it. But it’s based on a setting called Shotguns & Sorcery that I originally developed as, again, a role-playing game setting for Mongoose Publishing back in about 2001. But then my wife got pregnant with quadruplets and that kind of shattered everything to hell as far as getting that done. (chuckles) So I never actually got very far beyond the notes and selling it to Mongoose. And the rights reverted back to me. I said, “Geez, I’ve had this idea sitting around for a long time. I’d love to get back to this! It’s a lot of fun.” It’s kind of this noir-ish fantasy setting in this city called the Dragon City which is on the coast of this continent that’s basically overtaken by undead and other types of zombies. The city basically has a dragon emperor who controls the entire place and protects the people from the dead. But it’s striated – as you go up the mountain you get more and more powerful people. Like the orcs live at the bottom and the humans and the halflings live about a quarter of the way up, then you have the dwarves, then you have the elves, and then you have the dragon, who sits up top. So it’s got this great Chandler-esque, Hammett-esque kind of noir going on, but in a fantasy setting, right?

JR: Yeah, that is very cool. I really love that mashup. I was actually just last night – I was looking at Goblintown Justice, the short story that you’ve put out.

MF: Yes, that’s available for free for anybody who wants to read it, of course.

JR: As soon as I got to the part where you’re using flying carpets as taxis, I was totally sold on it.

MF: Yeah, I think that’s such a great image, you know.

JR: Yeah!

MF: It’s like I can flag down a flying carpet, you know. “Oh! Yeah, okay!” Suddenly you know exactly where you are – even if you’ve never seen this before.

JR: I love both genres and just the whole mixing of them – the sweet and sour effect – is very cool there, I really like that.

MF: Thank you.

JR: So folks again have until March 11th if they want to get in on that.

MF: The way it works is – what I did was I set a very low goal for the first book in the trilogy and then we try to see if we can hit stretch goals where we can unlock the second and third books in the trilogy. So right now we shattered the first one very quickly, I think in 32 hours. And now we’re stretching out to see if we can get the second book unlocked and then the third book unlocked. And usually this has me chewing my nails right until the last second. (laughs)

JR: (laughs)

MF: But it’s good fun and you know, usually what happens is you have this big spike at the beginning, and then it kind of levels out in the middle. And then in the last week everybody says, “Oh! Oh! Oh! I’ve got to do that or I’m going to forget it!” And then it spikes up again. And you know, the trouble of course is during that middle period you’re always sitting there going, “I hope the spike comes! I hope the spike comes!”

JR: (laughs) Yeah, totally! Totally. Well, let us hope that that happens! Can you tell us anything about the remaining two trilogies you have planned?

MF: Well, I can tell you a little bit. The fourth one I’m not quite sure about yet. I’m actually contemplating a set of thrillers for the next one that are more modern-day stuff. And for the fourth one I’m thinking either science fiction or maybe some combination of three individual one-shot books. So I’m going back and forth between them. Those are still a little bit off for me. Actually I have a really good idea for the thrillers that’s going to set them apart from everything else but I’m not quite ready to announce it yet.

CarpathiaJR: Cool, well we’re looking forward to that, then. And just looking over your Coming Soon list on your web site here, you’ve got – to put it mildly – quite a few plates in the air.

MF: Yeah.

JR: But I noticed that you have here – and you also mentioned that at the end of the month you’ve got a novel called Carpathia coming out. What’s that about?

MF: The 100th anniversary of the sinking of the Titanic is coming up on April 15th and the ship that picks up the survivors of the Titanic was called the Carpathia. And the Carpathia, of course, is also named after a set of mountains that ring part of Transylvania and is actually the mountain range in which Castle Dracula sits. So the connection here is: what happens if the ship that picks up the Titanic survivors is actually full of vampires on their way back to Europe?

JR: (laughs) That’s awesome.

MF: What kind of hell comes out of that? (chuckles)

JR: (laughs) I think that qualifies as irony.

MF: (laughs) Yeah, I mean my publisher is like, “The lucky ones went down with the ship.”

JR: (laughs) Yeah.

MF: You want to be respectful because this is a real disaster, right? I mean, it’s been 100 years, so that means we can play with it a little bit. But I mean there were a lot of people who died in this, but I’m taking care to be very respectful of the actual real-life individuals. And I concoct a lot of – obviously – fabricated vampires and such to battle it out with each other. So it’s good fun.

JR: That’s excellent. Is there anything else you’d like to mention before we go?

MF: Well, I do also have the Magic: the Gathering comic book I’m doing for IDW, and that’s coming out. The next issue will be on February 29th.

JR: Is that based in like their core world or is there a separate world?

MF: It kind of jumps around. It starts out in Ravnica. They don’t have really one core world, but the first issue starts out in Ravnica and from there it goes to Innistrad, which is where the current block is. It’s a kind of horror-themed block. And from there – I shouldn’t probably reveal where it’s going to go from there quite yet.

JR: Okay.

Matt ForbeckMF: But it’s a four-issue miniseries for that. And then they just announced that we’re going to be doing a second four-issue miniseries starting in the month after that.

JR: That sounds like a lot of fun.

MF: Yeah, let’s hope we can keep rolling on with them.

JR: Well, now if folks want to find you online – you and your various projects – where should they go?

MF: Go to That’s F-O-R-B-E-C-K dot com. And I try to keep it updated fairly regularly.

JR: I’ve been there. There is a lot of stuff on there and it is all very awesome. Thanks very much for talking to us!

MF: Thanks for talking to me, Jim. I really appreciate it!

JR: Thank you, take care.

MF: You too.

Click below to hear the interview:
Music by Kevin MacLeod

And Now an Interview with Eloy Lasanta

May 18, 2011 Leave a comment

(The audio of this interview is available at the bottom of this post!)

JR: I am tThird Eye Gamesalking to Eloy Lasanta of Third Eye Games and we’re going to be talking about his game Part-Time Gods. Welcome, sir!

EL: Hello everyone!

JR: First off, for anyone who might not be familiar, tell us a little bit about the game Part-Time Gods.

EL: The game Part-Time Gods is where you play characters who are just regular people who have been imbued with the powers of gods. And you are given this huge amount of divine responsibility that you then must go and enact. And there’s a certain amount of juggling that has to be done – as in, you have to juggle your real life versus your divine responsibilities, and going and trying to obtain power is actually the same thing as leaving your mortal life behind. And it’s a fun kind of balancing game that Part-Time Gods has become.

JR: Let’s talk a little bit about the Source. What’s that?

EL: The Source – oh, the Source is the entity within the setting that has released the energy that then produces what a god actually is. Way back in the day the gods actually sealed it away and found a way to kind of siphon its power and it has now recently erupted again and it’s trying to escape. And that’s why now, in the game, there’s a big surge of a lot more gods popping up in the modern day – very suddenly, and it’s because the Source is trying to come back. So you might just be walking down the street – all of a sudden, you get hit with this immense power and you find out that you’re the God of Sidewalks or whatever. And then all of a sudden you have this giant Cyclops coming after you at that point and it’s like, “Wait! What’s going on here?!” And it’s very much about that. It’s very much about a regular person – what if a regular person was put in these types of situations?

JR: So I guess the primary conflict… well, it’s that you have two different layers of conflict, which – let’s talk about that a second. I find that very interesting that you’ve got both the supernatural conflicts and then the mundane conflicts that you have to deal with. I’m curious how you weave that together in the game.

EL: Well, very… very awesomely, I’d like to think.

JR: It sounds it!

EL: (chuckles) The divine conflicts are mostly between the gods, themselves. So a lot of it is god-on-god. You and your other people in your group – they are the pantheon that rules that area. And a lot of the game is contingent upon the pantheon getting along, maybe doing things to countermand each other – kind of like how gods used to be back in the day. Also other gods coming in to try and take your territory or even if you and your group want to go and try and expand into other gods’ territory, you can do that as well. But the way that the game works and how it kind of interweaves the mundane and the divine is you create what are called Bonds during character creation for your character. And these are the things in their life that link them to their humanity, which link them to being a regular person. And as these things come under fire or get damaged, they then start to take on some of the worst aspects of humanity, basically. And then they start to kind of drift away from being a regular person and more into becoming a god. The reason for this is because it’s more to reflect kind of what the gods of myth all kind of represent. You know, and it was Hera – at one time – was a very motherly deity.

JR: Yeah.

EL: And then she was consumed with jealousy and hatred and all of these things, and these are very real things that can happen to your character – where, you know, it’s no longer the love of your wife that starts to motivate you, it’s the hatred for this thing. And it starts to become a balance of you becoming less caring about the things that a human would care about.

JR: How do you set up the mechanics in a game like this? What are the mechanics like?

EL: The mechanics for this game actually follow the DGS Lite, which is a slightly lighter version than the classic DGS – Dynamic Gaming System – which I created for my other two games, Apocalypse Prevention, Inc. and Wu Xing: The Ninja Crusade. And this one is broken down a little bit more, but just like the classic DGS it only uses a single d20 and it uses difficulties from 10, 20, 30 and up to 40. And you can go higher as you get more and more powerful but 40 is usually about the max that a starting character can actually get to. It’s a simple – roll a d20, add your attributes plus skills plus applicable modifiers and see what you roll and then see what happens. It works really nicely and the playtests for Part-Time Gods have come back and everybody’s very happy with the results so far.

JR: Okay, that’s very cool. And part of what I guess I was wondering when you were talking about that was if there was any sort of mechanic that had been put in there specifically to represent that whole balancing act.

EL: You know, when you get your Bonds, you have to have actually built them and they get numbers to represent the strength of the Bond. And these numbers are counterbalanced with the strength of your divine Spark. And the more powerful that your Spark becomes, you’ll eventually have to start giving up some of your Bonds or weakening the ones that you have.

JR: That is very cool. I really like that idea because it’s just so often that you see in RPGs where people seem to have superpowers of some kind with absolutely no consequences for wielding them.

EL: Exactly.

JR: That is very good. So where did you get the idea for this game?

EL: It came from me watching a TV show called Dead Like Me, and I was watching the show I mean, like, “You know, that would be really interesting. What if it wasn’t just grim reapers? What if they were just a collection of gods? What if they were a pantheon who sat in a coffee shop just talking about baseball? It kind of became the idea of these very mundane things where basically being a god isn’t what it’s really cracked up to be.

JR: Yeah.

EL: Being a god is actually more of a hassle than, you know, “I’m a divine person and I ought to go on mythic quests!” No, sometimes it’s like, “You know what, I really would just like to go home and eat dinner with my wife but I can’t do that because I have to go get this goblet from the Fire.”

JR: (laugs) “Sorry, I’m going to be late for dinner, honey. I’m fighting Titans this evening.”

EL: Exactly. That’s kind of where the humor of the game also comes out. Anything that I write has to have at least a little bit of humor. I don’t have it in me to write a completely serious thing. So yeah, it has to have a little bit of humor and that’s kind of the tone that Part-Time Gods is taking.

JR: There have been one or two other games that try to do something similar – I believe Scion is one of the bigger ones – and so the question would be what really separates Part-Time Gods from something like that?

EL: When you play Scion, first of all the power levels get ridiculously wonky as soon as you are not like a starting character. And so, I mean, there’s that. Part-Time GodsThe whole thing about Scion was you aren’t really a regular person. You’re the child of a god and you have to go and you fight things that are just destroying everything and you are super-powerful and you eventually become a god yourself and travel and will join the pantheon and stuff. And Part-Time Gods actually leaves a lot of what you would expect from a quote-unquote “god game” behind and I’m trying to really kind of take a new angle at it. The other game that tried this was Nobilis, but then Nobilis is more of a – like you are a concept. Like you’re not a God of Death, you ARE Death. You’re not a God of Enlightenment, you ARE Enlightenment. And that’s why there’s no dice and whatever.

JR: More sort of anthropomorphic personifications rather than gods.

EL: Yeah, yeah. Like it gets kind of weird. And what I tried to do is I read up on both of the games and I’m trying to hit a nice balance between the two. When I say that you can be the god of fill-in-the-blank, you really can.

JR: Whenever I actually get around to playing this game I now have a terrible urge to play the God of Fill-In-the-Blank.

EL: “I am the God of Mad Libs!”

JR: Yes! “I can take any concept and replace it with another concept!”

EL: You know, if I was actually going to be the God of Mad Libs I would just make it sound like you’re saying ridiculous things.

JR: Yes, exactly!

EL: And you have no clue you’re saying it, but everyone else is hearing you saying ridiculous things.

JR: That would be so cool.

EL: It would be hilarious. I try and gear people away from that sort of thing when in the character creation (chuckles).

JR: (chuckles)

EL: You know, there really should not be a Goddess of Cheese or Jeff, the God of Tacos. There really shouldn’t be these types of things. Gods should be like big, mythic, flashy things. You know, like you really don’t need a God of Sidewalks.

JR: Well, the sidewalks aren’t going to go on existing by themselves, are they?!

EL: I mean it’s gonna happen, but I’m just saying… (chuckles)

JR: (laughs)

EL: I try to give people a way…

JR: Doing what tiny amount of damage control you can get in at this point?

EL: Exactly. I also give tons of examples so I try to cover all my bases and – giving lots and lots of examples of different things that you can do with the power sets and stuff like that. So, I’m hoping it goes off well.

JR: One of the interesting things about this project is the way that you’re funding it. You actually have set up a Kickstarter campaign for it. So what led you to decide you wanted to do that?

EL: You know, I actually hadn’t heard about Kickstarter until a friend of mine actually mentioned it and they said, “I saw this kickstarter for Do.” And I’m like, “What’s a kickstarter?” So, they sent me a link to this game called Do and it’s pretty cool, and I went ahead and contributed to that and I started thinking about what I could do. And I like the setup. It reminds me of back in the day when the kings would become a patron to an artist and would take an artist under their wing and pay their room and board and make sure that they had all the materials they had and everything. Then like the king gets to say, “I found this artist and look at all of the wonderful things that I have allowed him to do!” It kind of reminds me of that, only instead of a nobleman, it’s all of the fans. All of the fans get to let me make a game for them. It’s a really fun concept and a fun way of approaching it versus the, “I’m going to release a game and I hope people like it.” You know, it’s more of a, “Hey, here’s what I’m doing! If you are interested in this type of thing, preorder.” Because basically I’m using it as a preorder but I’m also giving lots of incentives, T-shirts, stuff like that. Trying to make sure that anybody who does give to the kickstarter is gonna get their money’s worth for helping up front.

JR: It’s an interesting thing because you feel kind of like you’re a part of the project…

EL: Yeah!

JR: …when you contribute to it.

EL: And I’ve even gone through and I’ve started taking some chances on a couple of smaller projects to see if they go through. You know, and that’s kind of the thing, is – Kickstarter isn’t guaranteed. If you don’t make enough money then…

JR: Yeah.

EL: …it all kind of falls through and then whatever. But if you hit your goal, then it’s awesome!

JR: As of this recording, you’ve still got a bit over a month left if anyone wants to go on and contribute to this project. I think it’s really cool and I’m looking forward to playing it – I really want to play this game. So I really encourage folks to do that. Before we sign off here and we give information for people who want to go and check that out, is there anything else that you’ve got going on you want to give any quick little plugs for?

EL: Yeah, most definitely! The newest sourcebook for Wu Xing: the Ninja Crusade, my second game line of warring clans of ninja, just dropped its first sourcebook and it already has a 10 out of 10 review. So if you guys are waiting for a review, it’s got a perfect review on RPGnet so yay! Just got that today – so happy about that. And the newest sourcebook for Apocalypse Prevention, Inc., which is Demon Codex: Spectrals just dropped a couple of months ago. And it’s getting also very good reviews, so if you’re a fan of Apocalypse Prevention, Inc., don’t forget to go get that thing.

JR: Cool, awesome. I actually have some friends in a gaming group that I think are wanting to try out API sometime soon, so there may be more of that happening.

EL: (chuckles) Well, and we’rEloy Lasantae also working on an API: Savage Worlds Edition.

JR: Oh, cool!

EL: …which I’m really, really hoping that I can get out by GenCon. I’m REALLY, really hoping that we can. (chuckles) It’s hitting all of its playtest marks so it’s looking like there should be no issue, however it COULD not make it, but I’m really, really hoping it does.

JR: Nice! Me too, that sounds great. Savage Worlds obviously being a system I’m a lot more familiar with, so… (chuckles) That always makes me happy.

EL: Savage Worlds is a setting that I kind of fell in love with from the first time that I played it. And you know it has a different flavor from the Dynamic Gaming System that I designed, but both are really fun ways to play. So, API: Savage Worlds Edition – we’ve been working really hard to make sure that it keeps the feel that the DGS has, but reflecting in Savage Worlds rules and it’s coming along VERY nicely.

JR: Yeah, Savage Worlds is moldable enough that you can do a lot of different things with it.

EL: Most definitely.

JR: So that’s always very cool that that’s working out. So if anyone wanted to go online to find you or your site or the Part-Time Gods project, where would they go?

EL: Well, the Part-Time Gods project is primarily on Kickstarter. If you just go to search and hit “part time” it’s gonna come up, it’s gonna be the first one. Our web site is I also have a blog and that’s

JR: Excellent. Well, I urge everyone out there to go and check it out. And thanks very much for coming and talking to me. I appreciate it!

EL: Thanks, Jim.

Click below to hear the interview:
Music by Kevin MacLeod

And Now an Interview with Joel Kinstle

September 1, 2010 1 comment

(The audio of this interview is available at the bottom of this post!)

When I went to ConCarolinas this year I got a chance to sit down and talk to Joel Kinstle, VP of Pinnacle Entertainment Group, the makers of Deadlands and Savage Worlds.  The interview was for one of the shows I do on War Pig Radio and we talked mostly about the Savage Worlds Showdown rules – and tapioca!  Here’s the interview in full.

JR: I’m here at ConCarolinas and I’m talking to Joel Kinstle, who is Vice President of Pinnacle Entertainment Group!

JK: Well hello, folks!

JR: Greetings, sir!  And the specific thing that I wanted to talk about today is the Showdown rules, skirmish rules for Savage Worlds, because I don’t think that gets very much attention.

JK: Well that’s kind of sad.  They’re actually very nice rules and, special bonus: they’re free!

JR: Yeah, that’s always the really awesome thing.  You guys are giving things away left and right.  It’s like, every time I go to the web site, they’re giving away more stuff and I’m like, “I hope they can stay in business!” (laughs)

JK: That’s because we love our fans so much and are such foolish business people that we’re desperate for milk for our children.  All donations are welcome!

JR: (laughs) Awesome.  Just for those who may not be familiar, how do the skirmish rules differ from the regular RPG rules in general?

JK: The skirmish rules differ from the regular RPG rules in general in that they focus pretty much on the mechanical aspects and tabletop use.  All the Hindrances and most of the social Edges that you might run across tend to be washed out or transmuted into something that would apply on the tabletop.  Some of the Edges that tend toward being social or like a quirk that may be in how you play a character get defined mechanically in a way that you can repeat on a tabletop setting.  That doesn’t really make for a good role playing experience, but the role playing experience does not translate at all directly to a pure minis game.

JR: How many different Showdown settings do you have out right now?

JK: The Showdown rules, themselves, the 2.0 version, are somewhat recent.  Probably out for about five months or so…?

JR: Okay.

JK: But, my brain’s something like tapioca, so you’re gonna have to take that with a… well, grain of tapioca.

JR: I know the feeling.

JK: (chuckles) But, what we have out right now for them is… we have a couple of scenarios that are not really so much setting-specific on the web.  We have Raid on Fort 51, which is a Deadlands-specific scenario.  It’s really more of a mini-campaign.  It’s a series of engagements that things change for one engagement based on what happened in the prior engagement, and the force makes changes a little bit as the story unfolds and that’s a product for sale on the web site.  We’ve got a Weird War II scenario that will be coming out on the web site hopefully soon.  I’m not sure what will be the next piece out but it can be easily suited to any of the settings.  If you could’ve played it in Savage Worlds, you can play it with Savage Showdown.

JR: That’s cool.  Now, I remember Rippers started as a Showdown setting, didn’t it?

JK: Well, for the history of Showdown – for those folks who remember The Great Rail Wars, which was the minis version of Deadlands – Deadlands Classic – that was the game that’s kind of turned into the Savage Worlds game itself.

JR: Yeah.

JK: And so, distilling it back down to minis only wasn’t so tough since a lot of that had really already been done.  But with prior rules and trying to get everything balanced out there was still some work to do to it.  So, the minis game that came of Deadlands Classic turned into Savage Worlds, which produced, of course, Deadlands: Reloaded. (chuckles) So really, it’s all very much related.  There’s a lot of similarities amongst it all.  Rippers: The Horror Wars was sort of a Great Rail Wars or Showdown-ification of the Rippers setting.  There’s nothing out there right now for Showdown 2.0 that is in the Rippers setting, but that’s a setting that’s rife with stuff that can be turned into Showdown.

JR: Well, it seems to me that virtually any setting, because of how simple Savage Worlds is… and by simple I mean easy to play with!

JK: I know what you mean!

JR: (chuckles) It seems to me that any setting – any of your settings could easily be converted over to a Showdown setting.

JK: Oh, they really could.  But what you don’t tend to have is a lot of the social, discussion, investigation.  Because at that point you’ve turned it into a me-versus-you or us-versus-them fight game.  Which I’m not about to say is a bad idea!  There’s a lot to be said for sitting down and going, “You know, that boy needs to die.”  And putting him down.  There’s a LOT to be said.

JR: Well yeah, sometimes you’ve just gotta go bust some heads.  But, er… I know that there was probably another question in there… floating around in my melon and I… have to now fish for it…

JK: You may borrow some of my tapioca. (chuckles)

JR: Ah, thank you!  I appreciate it!  Mmm… delicious Brain Tapioca… (chuckles)

JK: For the younger folks out there, tapioca used to be a form of pudding that only old people like me and my father ate.

JR: (laughs) I remember tapioca!  We used to have that served to us in my grade school cafeteria, and that’s probably…  I’m going to try to blame the fact that I can’t remember my next question on the fact that I was served tapioca as a child somehow…

JK: I will admit that I’m wandering very far afield here, but when I was in elementary school our lunch ladies tended to like to make homemade chocolate pudding, which was great!  The pudding was excellent.  But they really did make homemade-cooked pudding, so they would always end up with this not quite inch-thick layer of skin on the top that they would pull off, cut into squares and give to children who wanted it.  And there were FIGHTS for that stuff, man.

JR: Wow.

JK: There is no accounting for the taste of children.  But since I never had it, in full fairness I can’t claim it was horrible.

JR: (groans) I can’t imagine – just the…  They get into fights over pudding skin in a school cafeteria… I think…

JK: I grew up in a rural area. (chuckles)

JR: Well, you know that actually…  You’re talk about kids getting into fights in a school cafeteria over pudding skins.  That… You may be coming up right now with a possible new Showdown setting.

JK: That could EASILY be a Showdown scenario!  Special bonus points if you dunk the nerdy kid straight head-first into the pot.

JR: That would be great! (laughs) Well, let’s see…  Is there anything that you can tell us that we might look for in the future at some point with respect to the Showdown rules?

JK: The Showdown rules are broad and kind of all-inclusive and occasionally when you try and use the building tools to simulate a specific setting very closely, you can run into a few points mismatches.  You can produce something that just seems like, “X seems more powerful than Y, but really, shouldn’t Y cost less, I mean something’s wrong here…”  They’re kind of rare, but when you’re trying to pin something down PRECISELY, if you’ve got that persnickety feel that you know exactly how that setting ought to go, it can go a little bit around it.  And one of the things we’re considering doing is making setting-specific packages for Showdown.  Like, perhaps – and this is pure speculation – perhaps repackaging an actual Great Rail Wars-specific set of Showdown bits.

JR: That would be cool!

JK: Or something like that for some of the other settings.  I would say the ones most prone to having so much combat that you’d want to do that for would be Great Rail Wars and the Weird Wars lines.  What I CAN promise, though, for sure, are more actual Showdown scenarios that’ll be up on the web site and maybe some more freebies for it as well.

JR: Awesome.  Well, believe it or not – perhaps it was the ingestion of tapioca, I don’t know – but my brain has returned to me the question I wanted to ask.

JK: Oh, so we’re getting to the ambush part of the interview, is that it?

JR: Potentially, potentially.

JK: You can’t prove I was there, I tell you!

JR: Ah ha!  I’d like you to look at these photos and tell me your immediate reaction…

JK: Never seen that girl before in my life.

JR: Wait… those are the wrong photos… never mind.  (chuckles) ANYWAY.  Well, one of the questions I wanted to ask is have you had a chance to play the skirmish rules at all at any point?

JK: A little bit.  I’ve honestly not played a whole lot of them myself because when I have gamer buddies handy, they tend to be handy in big “we wanna role play” clumps.  I don’t tend to have the occasional gamer buddy show up and just want to blow stuff up.

JR: Ahhh.

JK: If they’re mad, they just want to blow stuff up, they don’t come looking to me. (laughs) I’m not sure exactly what that says but it tends to be true.

JR: (laughs) Well, you know, yeah…  I was gonna ask what you think your favorite setting might be for use with the Showdown rules?

JK: My favorite setting…  One thing I’d really like to see done in Showdown rules which I think would be very nifty – and now that you’ve brought it up I think I may have to set somebody to it – is some material for Sticks and Stones.  Sticks and Stones had come out as a minis game a long time ago and we’ve reproduced it in a different format.  Last year it came out as a card game.  The actual role playing game is in the works.  So, yes, I’m sure somebody out there will have an “Ooga Booga” stat, but… (chuckles) or perhaps it’s a skill, I’m not quite sure.  It’s not finished yet.  But having some scenarios for Sticks and Stones I think would be a lot of fun.

JR: I’d love to see that.  That would be great.  If people want to come and find your products and they’re roving about online, where do they go?

JK: They would go to the Pinnacle home page, which is

JR: Thanks very much!

JK: Any time, happy to help.

Click below if you’d like to hear the interview:
Music by Dave Girtman

And Now an Interview with Jennifer Hudock

May 14, 2010 13 comments

(The audio of this interview is available at the bottom of this post!)

JR: Welcome to, the blog that continues to exist in spite of itself. For those who are listening or reading this I am online with Jennifer Hudock, who is the author of Goblin Market. The thing that I find most interesting actually that I wanted to just sort of address first is that you are a full-time writer, and that is something that is incredibly impressive to someone like me. And, I just was wondering, how did you end up doing that?

JH: I went to college when I was 26, and the funny thing is that I actually went at the time – I mean, I’ve been writing since I was a little kid. It’s all I’ve ever done. I had tried to get things published traditionally before I went to college, and when I went to college I actually went for Criminal Psychology. I was on campus for about a year before I switched my major over to English and Creative Writing. And my advisor at the time thought I was insane and said, “I know somebody who went into that major and I’m going to tell you right now, she graduated four years ago and right now she works at Pizza Hut!” And that was discouraging, but I’m a pretty determined person so I told myself – before I had gone back to college I had worked in retail, I had worked in restaurants and offices – and I told myself that after I graduated I was NOT going to get another job like that. So, once I graduated I started looking into freelance venues and I started working. It wasn’t even writing at the time, it was more internet research for a company that had just started off at that time. And because I was working with them, I got introduced to other people who were working for another company who was more focused on a combination of freelance writing and research. And I worked for them for about two years and somebody that I worked with through that company had moved on and was actually editing a blog for another company. And he really liked my writing and we had a good work relationship and he actually invited me to come and work for him. So, I have been working from home, freelancing and now writing full time for the last three years.

JR: That’s wonderful. I aspire one day to perhaps get to where you are if I can overcome my own sloth and other issues. (chuckles)

JH: (chuckles) It’s not easy. It takes a lot of discipline. I mean, there are days where I wake up and I would rather stay in bed and sleep in until noon like I used to do but because I have to focus on my work like that it’s more disciplined. And because I learned that discipline of having to work at home and being responsible completely for your own income it motivated me in a lot of other ways, too – I mean, even with podcasting and writing fiction. You have deadlines and you have to meet them so, it’s been a help in a lot of different ways.

JR: Do you use any of those two years of Criminal Psychology in your writing at all?

JH: Actually, this is really funny. The thing that prompted me to go into Criminal Psychology was my love of The X-Files.

JR: Ah!

JH: I wanted to be like Mulder. I actually wanted to join the FBI at the time that I applied to go to college. So, I did have about two years’ worth of psychology before I really switched my major. It’s interesting because – psychology – you learn a lot about how the mind works and I definitely do use that when I’m creating characters because one of the things, being inside a character’s head, is knowing how they psychologically process things. So, it does help. Yeah.

JR: Cool, absolutely. Goblin Market, your podcast, is coming to an end, is it not?

JH: Yes, I have one more episode to record and it will be done! I do have to go back – the first seven episodes, the sound quality was just atrocious because my equipment was poor. I went back and I rerecorded the first episode. I haven’t put it out yet, but after that I have six more that I need to rerecord before I can put it up on Podiobooks.

JR: I really liked it. I’ve been enjoying it for some time now. I first heard about it I think when I was – I’m following Mur Lafferty in her feed – in her Twitter feed – and she mentioned it. And so I went and I checked it out. And it’s really cool, I think! I can see very clearly your fandom of things of the ilk of the Rossetti poem and Labyrinth and all that, but you’ve also gone in other directions with it and I think that is cool that you’re coming up with newer ideas to apply to that kind of thing. Where did your primary inspiration for Goblin Market come from?

JH: It was kind of a cross between Labyrinth and the Christina Rossetti poem. The very first chapter of the novel is sort of the younger sister who goes into the market in the Christina Rossetti poem. And I actually introduce it in the podcast with four lines from the poem – you know, “We should not look at goblin men.” And it was kind of a cross between that. And the funny thing is – and a lot of people probably don’t know this – some people might if they’re big fans of Brian Froud and the Labyrinth – but the Goblin Market was originally a Labyrinth fan fiction that I wrote.

JR: Oh, really?

JH: And after I finished it I realized I had put SO many elements that had nothing to do with the original story into it that I could go back and change a few little details and it would be original. So I did that. The Darknjan Wald, which is the bizarre, disgusting, rotting forest that they have to travel through to get to the goblin castle was originally the Labyrinth. So, there was a lot that you could twist and turn into something that had nothing to do with the Labyrinth itself.

JR: That’s very cool. Yeah, I noticed that – that the environment starts changing and it gets less and less recognizable – I guess more alien – and I really liked that.

JH: Thank you.

JR: It’s very cool, it’s very cool. Well now, once Goblin Market ends, you’ve certainly got plenty of other irons on the fire, I think, to keep you busy right now! The Dark Journeys anthology – tell us about that.

JH: Well, the Dark Journeys collection is a collection of short stories. They are completely unrelated to each other and I put one out pretty much every Friday on Amazon and Smashwords for download for 99 cents to $1.99. I only have one right now that’s $1.99 and that’s because it’s novella-length. But they’re all completely unconnected to each other – but yet, they’re connected by the fact that life itself is a journey. And I twisted it into these dark elements that sometimes we face things in life that are really difficult to overcome. But instead of just focusing on difficult life elements I took it more to a supernatural level. One of the stories, Portrait of the Dead Countess, is about a young boy who becomes enchanted by a haunted portrait in his family’s summer home that is connected to the devil. And through the devil in this portrait he becomes mesmerized and he kills for this portrait to sustain its life – because the woman the portrait was painted of gained immortality by selling her soul to the devil, and the portrait itself was actually painted on human flesh – like, the canvas was human flesh.

JR: Nice!

JH: So, I mean, it’s completely against his will that he’s doing this – like, he’s committing murders to sustain the portrait’s life…

JR: Interesting…

JH: I mean, which, you know – that happens every day. (laughs)

JR: Well, yeah! (laughs) I was almost thinking sort of a reverse Dorian Gray type thing there, where you’re just doing all you can to keep the portrait safe. That’s awesome, that’s great. So, what prompted this sort of buck-and-two-buck fiction thing going on?

JH: My fiancée, James Melzer, started a Deviant Dollars series a couple of months ago where he was selling short stories on Amazon and Smashwords for 99 cents. And I thought to myself, he’s a genius! Because I have been trying to sell my fiction for years and every single story in this collection has been shopped out or previously published on smaller venues like online zines or journals that are so obscure you would never even know about them. And I thought this is a good way to get your work out there so people can read it!

JR: Cool! And are people buying it?

JH: Yeah, yeah! I mean, surprisingly enough, some stories do much better than others. Two of the stories are zombie stories. I have the Zombie Double Shot, which is the shortest thing in the collection and it actually has two stories in it – it only comes to about 3000 words with both stories combined, but that one has outsold all the other stories like four to one.

JR: Well, that’s great! I look forward to seeing how that comes out because that sounds like you guys may be onto something there!

JH: Yeah, a lot of people are actually doing it now, and I’m not sure if they’re having success with it. I tend to approach it from – you know, if you help me out and help me spread the word about this I’m glad to give you the story for free. So, I think that helps a little bit. And the funny thing is that a lot of the people who do blog about it or spread the word about it, they’re like, “No, no. I want to support you. I’ll buy it.” And that’s touching.

JR: That IS great.

JH: Because the community that we’re a part of is just so amazing – I mean people just have no idea. (chuckles)

JR: Absolutely, absolutely. So what’s next? You clearly have, like I said, a bunch of irons on the fire. Any of them that you’d care to pull out and have us bask in the glow of?

JH: Well, I AM working on two collaborative anthology projects. I have the From the Dark Side anthology, which is a charity anthology. I have a bunch of people who are submitting work. We’re going to put the anthology together and sell it through Amazon and Smashwords, and if it does well I would like to actually put it out in print as well. We’ve had some amazing people who are just willing to give their stuff over and we’re going to donate all of the proceeds from the sales to the Letters and Light organization which is affiliated with the National November is Writing Month forums.

JR: Which organization was that?

JH: Letters and Light. It’s a charity that helps promote creative writing in classrooms for kids.

JR: Cool. Excellent.

JH: So there’s that that I’m working on, and I’m also working on the Farrago anthology, which is another charity sort of anthology. It’s not as official, but my friend Michael Bekemeyer, who is a filmmaker, needs to raise money so he can actually put his film vision into the works. So, I mentioned it on Twitter: “Hey, would you guys be willing to donate a story to this anthology so we can help Michael raise money for his film project?” And I was just blown away by the amount of people who came out and were like, “I’ll do it! I’ll do it! I’ll do it!” And, I mean, by the end of that day I had so many e-mails from people who wanted to help Michael out – people that didn’t even know him – that it just blew my mind!

JR: Awesome. Well, I am definitely looking forward to that. Give us your web site! How can we find you?

JH: You can find me at

JR: And that links to all your other projects?

JH: Oh yeah, yeah.

JR: Cool, well, definitely looking forward to seeing how these things develop. Thank you very much for talking to us!

JH: Thanks for having me!

Click below to hear the interview:
Music by Kevin MacLeod

And Now an Interview with J.C. Hutchins

November 11, 2009 Leave a comment

(The audio of this interview is available at the bottom of this post!)

JR: Welcome to the experience that is Jim – Yes, THAT Jim, the blog that is constantly stumbling over itself trying to figure out what it is.

JCH: I’m just glad I actually know who “that Jim” actually is now!

JR: I’m still figuring it out, really! (laughs) So, first off, I guess for anyone who might not be fully familiar, tell us a bit about the whole 7th Son thing.

JCH: Sure!  I started writing 7th Son way back in 2002.  I began writing a book that I knew was going to be big.  I’m highly influenced by Stephen King – I love the guy and I love his work – and my favorite novel of his is The Stand. That’s not to say that he hasn’t written great books since then, but that’s one of the books that I really love because the stakes are pretty much at their highest in a book like that.  I love high stakes fiction.

JR: Oh yeah!

JCH: And, so I kind of set out to write a story that kind of rivaled his The Stand in length and scope the best I could.  And, you know, have the whole end of the world kind of thing hanging in the balance with my story as well.  And I wrote and I wrote and I wrote and I wrote.  And I finished writing a 1200 page manuscript in 2004, so it took me two years.  Actually it was longer than that, but I then spent the next year, 2005, editing it down to 1200 pages and then sending it out to literary agents because this is how the publishing business works.  You can’t really submit your manuscripts to publishers and editors if you are a nobody.  You need a champion.  You need a middle man.  You need an agent.

JR: Oh yeah.

JCH: And so that’s what I did.  And I received universal rejections because the publishing industry – deservedly so – would not make an exception for a nobody author who had written a 1200 page book that couldn’t be sold.  Because of its length alone.  (chuckles)  So I was kind of heartbroken but during that time I was also listening to podcasting and came across the work of Scott Sigler, who was one of the very first podcast novelists, and he was releasing his unpublished manuscript online in free, audio podcast format, serialized week to week.  And by the end of 2005 I was like, “Well, you know, if I can’t sell this book I might as well share it.”  And that’s when I started recording 7th Son and releasing it on the internet.  The book is a high-tech thriller that takes place in present day and it’s about human cloning, genetics, nature vs nurture, the nature of human identity and a villain apparently hell-bent on global chaos and destruction.

JR: Excellent!  (laughs)  If I may briefly quote here from one of the gentlemen on the back, from Patrick Lussier, “Breakneck storytelling at its absolute best.  Characters – dark, duplicitous, and fascinating – stalk through a rich techscape that’s so real, so plausible, it compels and haunts.”  The “techscape” word really is something I latched onto in my little hindbrain.  What did you do as far as sculpting the world – how did you decide you wanted to start to create that “techscape” as they’re calling it?

JCH: Yeah!  Well, first off, I mean like that is the coolest quote in the world, from Patrick Lussier, one of the coolest guys.  And I have the good fortune of saying I personally know him and have personally met him.  He’s the director of My Bloody Valentine 3-D, White Noise 2, Dracula 2000 – I mean some of my favorite genre pictures he’s done –  edited the Scream trilogy – OMG!  The guy’s just freaking amazing and the nicest man you’d ever meet!  Anyway, he picked up on that – you’ve picked up on that, and that’s something I certainly wanted to build into the 7th Son universe – was that I wanted to make the surface of the 7th Son universe as absolutely pedestrian and normal and as well-rooted in reality as WE are rooted in reality.  But also kind of build just beneath the surface a 60 (at LEAST 60) year legacy of conspiracy theories and clandestine technologies and government arrangements with other countries and stuff that simply is not publicly available and CANNOT be publicly available because it is protected under a super-secret – beyond top secret – classification called Code Phantom.  In the world of 7th Son, only ten people on the planet have access to what is called Code Phantom Clearance and the kind of super secrets that fall under that security clearance.  And really what all this was is I wanted to build a plausible history and mythology that could support the core conceit of my novel, which was not only that human cloning exists but that it has existed for at least 15 years and that in addition to that the ability to record human memories – which is, to me, the key ingredient in a great human cloning story – that that has also existed for 15 years.  And how could a government create a program like that?  And how could it fund it?  And how could that exist without people knowing about it?  And who would want that technology?  And who would be willing to do anything to obtain that technology?  All that stuff.  And that’s kind of like the superstructure or the foundation of this building all kind of funneling up to the core premise which is human cloning isn’t near – it’s already here! (laughs)

JR: Ah, yes!  And we actually heard that quote – we saw that quote in that wonderful promotion that you did where you “hacked” everybody’s blogs.

JCH: Yeah!  That was great!

JR: This very one that people may be staring at, at the moment, included (where I got to do my slightly hamfisted Kilroy2.0 impersonation).  That’s one of the really most innovative things, I think, also about this whole thing – is the way that you’re promoting it.  And that is not just through podcastery but also through this various-blog-hacking stuff.  And the music as well!

JCH: Yeah!

JR: Actually, something that I thought was just a brilliant idea was when you took music written by one of the characters in the book.  Essentially, you decided to put out songs – actual MP3 files of songs that this guy, John Smith, had written.  And I’m just curious – how did you come up with that?

JCH: It just popped in my head!  I like to play “What If?”  It all starts with, “Wouldn’t it be cool if…?”  And that’s how all of my fiction starts and that’s how all of my promotion ideas start.  And a lot of my promotion is a form of storytelling in its own way.  There’s usually obviously a participatory element, but whenever I can build a mythology into what we’re doing as a community to support 7th Son, I do it.  For instance, the 7th Son Ministry of Propaganda, which is basically an online street team.  I mean, at the beating heart of it, it’s a street team, and there’s nothing really unusual about that.  That’s been going on for years.  But what I did was that the Ministry of Propaganda is being led by a Russian woman named Natasha who is imperious and doesn’t ask you for your help, she COMMANDS you to help!  And so, kind of building a mythology around Natasha, I think, helps people playfully buy into this fake history and have more fun with the experience!  And that’s really what this is all about.  It’s that, yes, I would LOVE if you supported 7th Son by spreading the word, but if it’s a fun experience then you’re 1000 times more likely to do it.

JR: Oh yeah.  And I’ve got to say that I think your stuff has the most awesome extras I’ve ever seen of any author, pretty much!

JCH: Well, you know, in kind of getting it back into the John Smith songs, one of the things I did was I was just kind of sitting there, and *POOF!*  Wouldn’t it be cool if John Smith actually recorded and released some of the song titles that he mentions in 7th Son: Descent?  And these titles are actually mentioned in the text of the book, which was written years and years ago.  And I thought, “Well, yeah, that would be cool.  What would I need to do to do that?”  Well, I’d need to find a musician to collaborate with who could take my notes about the ideas that I had for these song titles and some mythology and history about John Smith and have him write and perform the songs.  And that’s exactly what I did.  I reached out to a dear friend, Matthew Wayne Selznick, who is also a podcast novelist.  Fantastic lyricist and performer, period!  I’ve heard him play acoustic Folk live and it was SO freaking cool!

JR: Yeah, it’s really good stuff!

JCH: Yeah!  And that’s kind of what I did.  And so the whole kind of goal was to, again, create art and create an experience that not only entertains the listener but also kind of draws them into the 7th Son world in an unconventional way.  In a way that enhances their pre-existing knowledge of the book if they’ve already read the book or informs them on what to kind of experience as John as a character if they purchase and read the book.  And it’s also kind of cool because you can actually compare the song list of the EP we recorded and the names of the songs in the book and be able to say, “I have actually listened to that song!”  And how cool is that?

JR: Oh, that’s great.

JCH: I’m releasing those songs on my web site in weekly installments.

JR: Yeah and actually, if you don’t mind, I’d like to – after this interview – play one of those songs.  I see we’re almost out of time, here, so I just wanted to go ahead and ask the last question, which I’ve actually shamelessly stolen from another podcast called The Game’s the Thing, because they do awesome work.  And that question is what one fact about you might your fans not know?

JCH: My favorite piece of apparel – that I wear regularly – is my robot boxers.

JR: Ooh! (laughs) So, actual boxers with robots on them?

JCH: Robots.  Robots are awesome.

JR: Robots.

JCH: Robots are awesome.  And whenever I wear these boxers I feel twice as awesome as I would on my best day.

JR: Well, they ARE our future masters so it is good to make sure we pay the proper obeisance to them.

JCH: That’s right!  You know, I’m always smelling emerging trends and I figured I’d get on this train pretty quick.

JR: Well, that’s great! (chuckles) J.C. Hutchins, thank you very much for coming and talking about this.  I really appreciate it!

JCH: Jim, it was my pleasure.  Thank you so much!

Song – Winter Love by John Smith
Click below to hear the interview: